فصلنامه علوم خبری

فصلنامه علوم خبری

بنیان نظری تبلیغات سلفی محور در شبکه های اجتماعی

نوع مقاله : مقاله پژوهشی

نویسندگان
1 دانشجوی دکتری مدیریت رسانه، دانشکده علوم ارتباطات، دانشگاه علامه‌طباطبائی، تهران. ایران. (نویسنده مسئول)،رایانامه: nafise.khorashadizade@gmail.com
2 استادیار، گروه روابط عمومی، دانشکده علوم ارتباطات، دانشگاه علامه طباطبائی، تهران.ایران.رایانامه: r.saberi@atu.ac.ir
10.22034/lrsi.2026.561463.1479
چکیده
هدف: سلفی که حاصل همگرایی دوربین‌های دیجیتال و تلفن‌های هوشمند است، فراتر از یک تصویر ساده عمل می کند. یکی از مهم‌ترین ظرفیت‌های نوظهور سلفی، کاربرد آن در بازاریابی و تبلیغات است. کاربران با نمایش محصولات در سلفی‌های خود، به دنبال نوعی تأیید شخصی از برند هستند، که این امر از جنبه های روان‌شناختی، اقتصادی، فرهنگی و کنش ارتباطی قابل تامل است. هدف پژوهش حاضر، مطالعه مبانی علمی و نظری سلفی در تبلیغات و تبیین تأثیر تبلیغات مبتنی بر سلفی بر نگرش مخاطبان است.
روش: این پژوهش با استفاده از چارچوب فراتلفیق، به مرور و تحلیل کیفی مطالعات نظری و تجربی مرتبط با سلفی، شبکه‌های اجتماعی و تبلیغات پرداخته است. جست‌وجوی مقالات با کلیدواژه‌های «سلفی و تبلیغات»، «شبکه‌های اجتماعی و تبلیغات» و «سرایت هیجانی» در گوگل اسکولار و در بازه‌ی ۱۵ سال اخیر انجام شد. از میان ۱۵۷ مقاله اولیه، پس از طی چهار مرحله غربالگری، ۲۴ مقاله برای تحلیل نهایی انتخاب شدند.
یافته‌ها: جمع بندی پژوهش‌ها نشان می‌دهد سلفی‌ها در شبکه‌های اجتماعی به سازوکاری ارتباطیتبلیغاتی و عاطفی تبدیل شده‌اند که رفتار، نگرش و احساسات مخاطبان را تحت تأثیر قرار می‌دهند. ادبیات پژوهش در سه محور اصلی قابل طبقه‌بندی است: نقش سلفی در تبلیغات، گونه‌شناسی سلفی‌ها و تأثیر سلفی بر سرایت هیجانی. در محور نخست، سلفی‌ها به‌عنوان نوعی «برندسازی خودساخته» شناخته می‌شوند که می‌توانند به بازاریابی کاربرمحور و وایرال منجر شوند و نسبت به سایر محتواها تعامل بیشتری ایجاد کنند. در محور دوم، سه نوع سلفی پرکاربرد در تبلیغات شناسایی شد: سلفی مصرف‌کننده، سلفی محصول (پک‌شات) و سلفی برند. نتایج نشان می‌دهد سلفی مصرف‌کننده بیشترین تعامل اجتماعی را ایجاد می‌کند، در حالی که سلفی برند نیت خرید را بیشتر تقویت می‌کند. در محور سوم، سلفی‌ها از طریق تقلید هیجانی، به انتقال سریع احساسات مثبت یا منفی منجر می‌شوند.
نتیجه‌گیری: سلفی‌ها به پدیده‌ای فراتر از یک ابزار فناورانه تبدیل شده‌اند و ابعاد فرهنگی، اقتصادی و تبلیغاتی یافته‌اند. بنابراین، در کنار بهره‌گیری از ظرفیت‌های آن‌ها در تبلیغات، بررسی جنبه‌های منفی مانند سرایت هیجانات منفی ضروری است تا بتوان پروتکل‌های اخلاقی مناسبی برای برندها تدوین کرد.
کلیدواژه‌ها

عنوان مقاله English

Theoretical Foundation of Selfie-Based Advertising in Social Networks

نویسندگان English

Seyyedeh Nafise Khorashadizadeh 1
Reza Saberi 2
1 Corresponding author, PhD Candidate in Media Management, Faculty of Communications, Allameh Tabataba’i University, Tehran, Iran. Email:nafise.khorashadizade@gmail.com
2 Assistant Professor, Department of Communication Sciences, Allameh Tabataba'i University, Tehran, Iran.Email: r.saberi@atu.ac.ir
چکیده English

Objective: The selfie, resulting from the convergence of digital cameras and smartphones, functions beyond a mere image. One of the most significant emerging capacities of the selfie is its application in marketing and advertising. By displaying products in their selfies, users seek a form of personal endorsement from the brand—a phenomenon that is notable from psychological, economic, cultural, and communicative-action perspectives. The aim of the present study is to investigate the scientific and theoretical foundations of selfies in advertising and to elucidate the impact of selfie-based advertising on audience attitudes.
Method: This study employs a meta-synthesis framework to conduct a qualitative review and analysis of theoretical and empirical studies related to selfies, social networks, and advertising. A search for articles was conducted in Google Scholar using the keywords "selfie and advertising," "social networks and advertising," and "emotional contagion," covering the last 15 years. From an initial pool of 157 articles, after four stages of screening, 24 articles were selected for final analysis.
Results: The synthesis of the research indicates that selfies on social networks have transformed into a communicative-advertising and emotional mechanism that influences audience behavior, attitudes, and emotions. The research literature can be classified into three main axes: the role of selfies in advertising, the typology of selfies, and the impact of selfies on emotional contagion. In the first axis, selfies are recognized as a form of "self-made branding" that can lead to user-centered and viral marketing, generating more engagement compared to other content. In the second axis, three types of selfies frequently used in advertising were identified: consumer selfies, product selfies (pack shots), and brand selfies. Results show that consumer selfies generate the highest level of social engagement, while brand selfies more strongly reinforce purchase intention. In the third axis, through emotional mimicry, selfies lead to the rapid transmission of positive or negative emotions.
Conclusion: Selfies have become a phenomenon beyond a mere technological tool, acquiring cultural, economic, and advertising dimensions. Therefore, alongside harnessing their potential in advertising, it is necessary to examine negative aspects—such as the contagion of negative emotions—in order to develop appropriate ethical protocols for brands.

کلیدواژه‌ها English

Selfie
Advertising
Social Networks

منابع

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